As I understand it; Humanity left Earth on a ship and had been gone for at least 700 years. Someone be sure to correct me if I'm wrong on this. Wall-E is a machine that has been operating without any human help for 700 years? Even if he could keep repairing himself as seen in the movie, it would seem to me that there is no conceivable way possible he could keep operating for that long a period of time without outside help from a human being.

The same thing is true about the ship that the remainder of humanity has inhabited all this time. How can a ship, no matter how big or advanced it is, continue to operate for over 700 years without finding a planet to replenish the necessities such as food, recycled air, getting rid of human waste, etc? After all, that was the main thing that caused them to leave Earth in the first place. Wouldn't the ship just turn into another polluted mess like the one they'd left behind? Now, if they had colonized another world, yes, I could see them surviving for that length of time, but not on a ship.

Then we see this quirky cute robot do things robots really aren't capable of doing, and again - suspension of disbelief. Didn't bother me in the slightest. I think it was easier to deal with this particular set of belief-suspensions because it was animated. I have no issue w/talking dogs in animated films, but I tend to dislike them in live-action. I have young kids, there are a fair number of live action talking-animal movies out there...sigh.

There's a brief scene early on where Wall-E has trouble with his treads, passes by what appears to be a large number of other Wall-E units that are not functioning---and salvages some good treads from one of them. Especially with the ability to self-repair, I don't find it unrealistic to find a robot working so long after manufacture---seems planned obsolesence would have a place in such a background, but need not affect any long-term ability to function.

Whether the other robots we meet have this ability, or could develop it, I can't say. We do see a (robotic) repair ward aboard the Axiom. It's possible the robots of the Axiom are the original crew from seven hundred years before, endlessly repaired. Or they may be of more recent vintage, built in a robot factory somewhere on board ship.

I loved it, despite a couple of flaws. I guess they don't grate on my nerves enough. I particularly enjoyed the whole silent-movie approach to the beginning. I was amused when my brother came over to watch it, was too distracted peeling his pistachios, missed all the visual gags and then didn't get into it having missed the largely visual character development.

I can ignore issues of 'reality' with a film such as this - after all, it is a cartoon - so I'm not worried about the humans getting bed sores or other maladies from their extended inactivity. What does bother me though is the visual approach of the film.

Wall-E and Earth is rendered in a very gritty, textured environment. The video recording of earlier human communications are live-action. Yet, the Axiom's human population is extremely cartoonish and simplistic. To me this is a visual disconnect that makes me want to gag.

IMHO, had they rendered the old-Earth human recordings it may have been far less annoying; I could possibly then just see Wall-E's gritty almost 'realistic' model as exactly what it's meant to be - completely out of place on the 'fantasy' Axiom.

As for environmental issues on the Axiom - I really don't think there is enough information to go on. Certainly, if they're dumping rubbish over the side, then they can't be completely self-sufficient. Yet, I'm not sure I ever heard them say they were, so perhaps there are just elements to the technology and background that are not presented to the viewer as they are unimportant to the story.

*****

I think the story resonates with me. "Lonely Guy meets Girl." We quickly come to care about Wall-E, and then EVE, after spending just a few minutes watching their lives.

Take Wall-E. He has a thankless job. He spends his day crushing garbage into compact cubes and assembling these into structures that resemble skyscrapers. But his job doesn't define who he is. He collects interesting things out of the trash he goes through, organizing them in a large truck that has become his home, and also enjoys watching and listening to tunes from "Hello, Dolly!" recording and replaying them with his built-in recording unit. But it's a lonely life. He gazes at glimpses of the stars, and longs for a life and love.

Enter EVA. She has another thankless job---endlessly searching for evidence that Earth can support life again, and endlessly failing. She's frustrated (and, repeatedly, demonstrates she has a pretty hot temper). Probably her wonder about life and love isn't as advanced as that which Wall-E has reached, but she's capable of reaching it. Wall-E falls for her, though it takes some time for them to talk to each other. (You'll notice that, for characters who are practically mute, they say a lot.)

When Wall-E shows EVE his treasures, we have moments that are funny, silly, and even moving. EVE even figures out things about Wall-E's stuff that Wall-E doesn't know---solving a Rubik's Cube, figuring out that a cigarette lighter gives off a flame.

Thanks to all this, we care about the characters as the plot starts to kick in. EVE goes into protective mode when she suceeds in her job---when Wall-E shows her the plant he found---and Wall-E, in love, tries to help. Thinking she's powered down, he places her in the sun (he himself is solar-powered), even trying to jump-start her with an old pair of cables at one point. He tries to carry on with the relationship, which proves to be rather one-sided.

Eventually, EVE departs, and he chases after her, clinging to the rocket ship that brought her and is now taking her away. This is one of the most beautiful scenes in the movie. Surely all of you, as science fiction readers and would-be science fiction writers, would like to touch the rings of Saturn as Wall-E does? And even here, Wall-E does not forget EVA---on his emergence from the junk-ring of satellites around Earth, he sees the beauty of the stars---and attempts to show it to EVA.

Once they reach the Axiom, they (and we) meet more characters, robots and humans. You might notice that Wall-E has an impact on their lives. MOE discovers he can do his job off-the-lines. John and Mary discover there's more to life than looking at their screens while riding around in hover chairs. TYPE (the concierge at the elevator) discovers he can wave. The Captain discovers both his deep longing to return the Axiom to Earth, as well as his hidden depths as a captain. The Rogue Robots learn they can go on serving in unexpected ways, damaged as they are. And EVE discovers that Wall-E is more important to her than her "directive."

After more adventures, the Axiom, thanks to the combined efforts of the characters, returns to Earth. Wall-E has been brutally damaged. EVE takes Wall-E to his home, effeciently repairs him. But, at first, it seems that she has just assembled a Wall-E unit---one with no memory or personality---one who is not Wall-E. But, when EVE gives him a sad kiss (for them, a spark of electricity between them), he awakens from his sleep and is Wall-E again. (You might recall the motif of awaking the sleeping princess with a kiss from the prince, that pops up over and over in Disney movies. Pixar has adapted it---but it's the princess awaking the prince.)

When I saw the previews for this movie, I thought the visuals were fantastic, but it takes more than spectacular views to make a good story. I have a feeling that if I'd read this story in book form, it would've come across much better than on the screen. I can't really explain it, but I just could not get into the characters or buy into the story. I found it boring and uninteresting to the point that I almost didn't watch it all the way through. The only reason I did was because I kept expecting something more to happen to make it worthwhile.

I hope you understand I am in no way trying to talk you into liking the movie, and I know there are others who didn't care for it. I'm just curious about this difference and why.

I'm trying to think of other movies that rely a lot on visual. There's that famous section of the movie Castaway with Tom Hanks where the only talking is him to Wilson for something like 45 mins of the film. It also relies a lot of visuals, though of course in that movie it's all real scenes, real sets.

I'm trying to think of other movies that I really loved that struck me as really visual, though I might just be imagining things - but Eat, Drink, Man, Woman is one, and Stealing Beauty (with Liv Tyler and Jeremy Irons) is another. There's dialogue in both (in Eat, Drink it's in Chinese w/subtitles) but a significant part of my enjoyment of the movies was the visual treatment.

Still later, I fell in love with silent films and sought out a number of them. (I need a good soundtrack, though---watching 'em completely silent somehow feels wrong. Too adapted to the sound era?)

I'm impressed with the ability to communicate without talking---and, for the first part of the movie, and for many stretches after, the characters of "Wall-E" handle it unusually well for a modern day film.

I wonder, Crystal, if you watch a lot of the "old" movies, maybe the Howard Hawks stuff, or noir films, with the snappy dialogue and quick pace?

By the way, I'm a flick snob, but one should never apologize or couch one's opinion in certain terms. It's your opinion, and need not be justified. I can tell you how CITIZEN KANE, or even 2001, are GREAT movies, but at the end of the day, I'm going to pop in a DVD of THE TAKING OF PELHAM, ONE, TWO, THREE, or the original PLANET OF THE APES 'cause movies and films are supposed to be entertaining and enjoyable. If it doesn't do that for you, then it's not worth the effort.

The Bear (or, L'Ours)
Benji the Hunted

Probably, Benji, too. I've seen only the sequel.

*Edited, because UBB code and I don't get along well.

Production lines are largely automated too, so it's quite feasible that we could make robots that repair themselves from piles of spare parts, and order more parts from the automated factory as stocks run low. The only thing they would not be able to do is invent new robot designs. (Finding new sources of raw materials might be hard too.)

So, I have no difficulty believing in self-maintaining machines some time in the future. True, picking up spares from machines that have been lying around in the weather for decades is a bit far fetched (unless of course they're made of fictitious weather-proof steel) but I regarded that as poetic licence.

I thought the ship was a metaphor for blind bureaucracy and human hubris. Its makers thought they'd be able to clean up Earth and everyone would come home in a relatively short while, so they designed it to wait obediently for the call to return. In the way of bureaucrats and computers it did exactly as it was told.

"the Earth will be better when humans are gone."

seriously, it was mostly propaganda.

just my two cents, there. didnt like it, and I want those hours of my life back.

Engineering for long-term reliability is a well-developed discipline. Mankind has already been doing this for hundreds of years. For example, the oldest working clock is in Salisbury Cathedral and has been keeping time for 600 years.

One principle to remember is that in general, simpler designs are more reliable. Simplicity is relative; a simple robot is more complex than a simple clock. Fewer moving parts lead to fewer failures.

Long-term reliability can be expensive to engineer. Everything from materials (iron rusts, so develop a resistant alloy) through reproducibility (making each part exactly the same each time) and quality assurance (exhaustive testing of all possible scenarios and some impossible ones) to fault tolerance (how do we repair failures).

In real life I work as an engineer. One technique that I've used in an engineering problem where we needed extreme reliability was to use "triple redundancy". Redundancy is typically keeping a 'spare' on board to replace a bad component. But...when you're running on your spare, you don't have redundancy any more. Triple redundancy means that even when you are running on the spare, you still have a spare available.

My point here is just that reliability is a well known engineering problem, and given enough money and resources, you can accomplish good results.

...

Which just leads to the question: why would you ever want to spend all that money making a garbage bot that will last for 700 years? Your government at work, I guess.

To a certain extent, the post-apocalyptic climate of Earth---somewhat dry and maybe low in oxygen (though enough to light a cigarette lighter), may have helped some in preserving things.

If the president gave the order to ternimate the "re-colonization of Earth" plan, why would EVE have been sent out in the first place?

Like I said, I like the movie, but it's like the Terminator paradoxial loop: impossible. Even with the explaination of it in the second movie, it would still have changed history so that the Terminators were never made. (Besides, how could Kyle Reese (Michael Beihn) have been John Connors's father the first time?

*****

[Sidebar thought, posted here 'cause it kinda preoccupied my mind the last couple of days. I can't help but notice that a certain actress who plays the title character is missing from the footage used in "WALL-E"---and in reviewing the DVD of "Hello, Dolly!" I see she's missing even from scenes actually used in "WALL-E." The director says in a commentary that he altered the source material to get a closeup of hand-holding---but it looks like the other stuff was altered to avoid showing this person.

The only part that bothered me, was the survival of the plant in the void of space .

quote:

---

And, of course, that's enough time to pick everything about it to pieces...if plant survival in deep space bothers you, how about WALL-E and EVE talking and making noise in a vacuum?

---

Alas, that did not bother me at all. The cold should have frozen the plant, but Eva and Wall-E are robots, not needing O2 nor likely to freeze to death. And why shouldn't sound move through space? I do have a problem with big firey explosions in the void of space.

As philocinemas says there is no sound in space.

You do not "hear" with your ears (they just catch the sound and transmit it to where you really "hear"). You "hear" with your brain.

However, Rich has misquoted me. Here is what I actually said:

quote:

---

TL, sound waves resonate through molecules (solids, gases, liquids, and plasma). In a perfect vacuum there is no sound.

---

quote:

---

With as little gas as is available in space, humans do not have sensitive enough hearing to hear each other speak.

---

And I agree with Kathleen that I don't think SETI is "listening" for sound waves, but radio waves and light waves.

Of course, if they could hear each other with sound in the vacuum of space, surely they would also have spotted the camera that was filming them while they were speaking...

[I had to edit...the verbs in that last sentence didn't match up.]

Sound in Space

quote:

---

And why shouldn't sound move through space?

---

As it is quite evident that sound does move through space. Thanks Rich and philocinemas for your posts of evidence.

quote:

---

Well, neither of them seemed designed for verbal communication. I'm not sure how either of them learned how to speak, or why. WALL-E, I think, may not have spoken an intelligible word to another person before he spoke his name to EVE...

---

my computer talks and to look at it you could say it does not appear equiped for speech, or my cell phone, or my hands free device hanging from my cars visor. As far as learned how, this is supposed to be AI, they taught themselves.

AAAAAAARGGGH!! Impaled on my own sword of know-nothingness. Oh, the shame. I blame the marketers of Alien for my ignorance.