This was not a good situation. Not a good situation at all.
1.I would connect these two sentences for more impact. Maybe- This was not good, not good at all. Dropping situation because you’re going to show us what happens next.Fionn squeezed his eyes shut and gritted his teeth as he pulled his wrists against their wooden bindings in a futile attempt at escape.
2.I am seeing it but consider dropping- ‘as he’ and say- ‘pulling his wrists.’ Bindings makes me think of rope- picky I know, but restraints or a word like that might work better- for me.
It was no use.
3.Good.
The stocks he was once again forced to endure as punishment held him firmly in place.
4.Wordy. Maybe- In the stocks. Drop once and maybe say- he again was forced. Consider replacing ‘as’ with ‘his’ and drop ‘held him firmly in place’ We get it he’s not going anywhere.
Normally, Fionn wouldn’t have bothered trying to avoid his sentence.
5.What strikes me most about the sentence is how casual he sounds considering there is an attack going on around him. There needs to be some urgency, maybe even near panic’ Holy crap, I am sitting duck! As a bad example of what I mean but you get it.
The humiliation and soreness that came with a day or two in the stocks was lenient compared to what he would endure otherwise.
6.For me- this line does not move the story forward.
Thus, the fact that the apparatus was safeguarded both physically and magically to prevent tampering had never before seemed important to him.
7.Wordy. At this point the panic and desperation should be palpable and he’s telling us why it appears impossible to escape and again rather casually.
The problem now was that Fionn’s incarceration had, by sheer bad luck, managed to coincide with an Attack.
8.Wordy. I am sorry but- for me. The events unfolding around him ‘The attack’, are not shown to us and the casual way he presents his situation loses me as a reader. As an example and maybe a bad one: ‘What offense had caused the gods of fate to anchor him here as the city was being overrun.’
You’ve the bones of a good beginning here. You place us in the midst of impending disaster, but treat it much too casually. The tension should be visceral. Inserting a line about the din of battle or hint at it would heighten the tension for us too. Think about being forced, at gun point, to run across a busy highway in shackles. Is your heart pounding? You look from the shackles into the barrel of the gun- what do you do?
Good luck