I was in a hurry the morning my bicycle chain broke. One long hill, smooth sailing to Byzantium, and by God I was going to make it to Betty Pilager’s house before she slipped away forever. I wanted a goodbye kiss. Instead, I got a bruised crotch and what was darn close to if not an actual concussion.
Betty Pilager slipped away forever.
“Mike?” a voice hovered somewhere.
I opened my eyes and saw two directions at once. Somewhere in the middle was my best friend, Norman Atwater.
“Hmm…” I said, dreamily. I don’t recall what I was thinking about at the time but it sure wasn’t Norman Atwater.
“Hey Mike! You okay?”
“Uh-uh.”
Sorry if I came off as rude btw...
[This message has been edited by starsin (edited March 11, 2011).]
After all this is only the first 13 lines.
Here are my suggestions:
The first lines are awkward. I would start with "I wanted a goodbye kiss. Instead, I got a bruised..." Then go on to say I would have made it if my bike chain ect....
"I don't recall what I was thinking about at the time but ti sure wasn't Norman Atwater."
My thing is you just recalled to us what you were thinking about: Betty and her kiss.
I agree with RoxyL your voice is great. I would read on to answer the whys mentioned by starsin, but make very sure you answer all those before the story is over.
I really like these lines:
quote:
One long hill, smooth sailing to Byzantium, and by God I was going to make it to Betty Pilager’s house before she slipped away forever. I wanted a goodbye kiss. Instead, I got a bruised crotch and what was darn close to if not an actual concussion.
Betty Pilager slipped away forever.
*except* for the "what was darn close to if not an actual . . ." that slows the snappiness *way* down. And especially since you have him seeing two directions in the next couple lines, I'd just ditch the hedging and say "I got a bruised crotch and a concussion."
My other nit is that, in jumping from "the morning my bicycle chain broke" immediately to him riding said bike, and then the results of the chain breaking . . . it jumps back and forth too quickly over too short a time period to really be useful in the "this is what happened. Now let me tell you about it . . ." sort of way. I'd ditch the "flashback" and just tell it chronologically. Just start at "One long hill . . ." and go from there.
Also, I'm left rather curious about "Byzantium" . . . is that some kind of allusion to his dream girl's kiss? I'm assuming he's not *actually* biking down to the ancient Greek city . . . I'd have to look it up to see if I'm missing something.
[This message has been edited by Tryndakai (edited March 12, 2011).]
Well, technically, he was thinking about that before the wreck, not afterwards. Maybe I should make that clearer.
Tryndakai - "Sailing To Byzantium" is used very loosely here, but if you google it you'll get the gist. I stole it from a Yeats poem, but so have a lot of other people.