Hear im just going to put down some dialoge becuase im not comfortalbe with what I have accompished but this dialog is going to be in the story.
Captain – “You’re abilities, your long life, and the potential that you have …. I mean, I envy you in what you have done and what you will do.” “Man kind has only dreamed of immortality and living with out consequence; you, you Snow are living it.”
Snow – You think that I enjoy this existence… you think that I like not having any long term friends, a family of my own, a special someone to hold me, … I ****ing hate this existence, it sucks and I’m tired of it.” “Though you are right … I do have potential, I still have many things to do, I have all the time I need and while I’m immersing my self in all the world has to provide, I want the one thing that every single person of this ****ing planet fears and try’s to prolong”
Captain – “What?”
Im an amature writer and have lots of learning to do, but if I can express this story on to paper or in text the way i play it out in my mind , it would be a very good story. i dont know if it's an oroginal and i hope it is.
Some more.
[Hk]Genesis
[This message has been edited by Kathleen Dalton Woodbury (edited October 13, 2006).]
I'm trying to figure out a polite and kind way to say this to you, but I fear I must rely on being blunt, instead: your spelling is atrocious. I lost count of the errors after about 20.
Good writing is a combination of clever, unique ideas AND technical prowess. If you want to be taken seriously as a writer, make use of your spell checker and your dictionary both. Read books on writing, such as "Eat Shoots And Leaves" and Strunk and White's "Elements of Style."
Why are proper spelling and grammar so important? The reader cannot lose themselves in the story when they are jarred out of it because every other word is spelled wrong, used wrong in a sentence, or the grammar is wrong.
Spelling and grammar are the tools of the writer's craft in the same way a hammer and nails are the tools of the woodcraftman's trade. You can have the most lovely story idea in your mind, but if you cannot craft the technical part of your prose clearly, your story will never have a chance to take on that lovely shape in the mind of the reader.
I advise you to continue writing, but realize this is a craft like any other, and requires study, practice, research, practice, and more practice. Plus, practice. And MORE practice.
[This message has been edited by Elan (edited October 13, 2006).]
Let me also add this: I encourage you not to be discouraged. We are all at different stages in our development as writers. Also, no individual is at an equal level in all aspects of the craft. For example, someone who is good at plot development might need improvement in setting development, or somesuch. Personally, my strengths are story arc and characterization, but my narrative voice needs serious work, and I can't write the opening lines of a story to save my life. So we all have our little things that we are working on.
Although it's true that your technical skill needs attention, that doesn't mean you don't have strengths in other areas of the craft. Don't give up! Work hard at improving what needs improving, so your existing strengths can shine through. Good luck!
I won't comment on the grammar and such because others have already done that.
Your dialogue seems a little stilted, though -- I can't really imagine people talking like this, unless it is on stage at some kind of formal ceremony. Except for the profanity, that is. It does make Snow's speech less formal than the Captain's.
-- hendrik
[This message has been edited by Hendrik Boom (edited October 13, 2006).]
I suggest consciously paying attention to people speaking. Maybe spend some time sitting in busses eavesdropping on other people's conversation, or sitting in the mall or whatever. Pay attention to phrases/expressions/speech patterns that stand out to you. Try to pay attention to the ones that don't really stand out, too. That's how real people talk, and that's how we make dialogue in stories believable.
Also, try reading some books by the authors who are really good at writing good dialogue. Stephen King comes to mind, also John Steinbeck (although his is definitely "period" dialogue). You might also give Barbara Kingsolver a read, and J.D. Salinger (I hate--HATE--"A Catcher in the Rye," but I have to admit the dialogue is very naturalistic.) Quentin Tarantino is also one to pay attention to for good dialogue, even though he writes movies and not books.
My final suggestion is to read all of your dialogue out loud. Listen to yourself to see if you sound like a real person talking. Maybe even have someone else read it out loud to you, so you can just listen.
Ear for natural dialogue is something that takes time to develop for most of us. It's a learnable skill, though, which is the good news.
On a side note, it goes without saying that you think your story is really good. Why else would you write it? And why else would you EVER let a bunch of strangers read it?
[This message has been edited by wetwilly (edited October 13, 2006).]
But anyways, I must have made it a bit long, maybe that is the reason why it was edited. Hear is the rest.
Snow – “I want to die.”
Captain – “What! ….What the hell for?”
Snow - “It’s the one thing that I cant have and I want it, I want to end this existence and go to sleep and not wake up; you know how many times I’ve killed myself and thought, no wished that maybe this is the one time I wont wake up, this is the one time I can finally rest” “It became quite depressing after a few times …. Killing myself …. Then waking up after a while in a pool of my own cold blood”
Story takes place in the year 2063.
You should probably look around the Fragments & Feedback Forum for a while to get an idea of how it is used.
quote:
then the admin hacked and slash her way through
Actually, all I do is cut stuff off at the end of 13 lines. I don't even read the excerpt until after I've done that, so there's no way I could hack and slash through it.