"Is anyone out there?" her voice seemed to drift monotonously over the surrounding sea. She waited a moment, head tilted to the side, hearing only the lapping of waves against her driftwood of a boat. "No of course not..." she sighed letting her fingertips once again slip into the semi warm water that seemed to surround her for miles. How many hours had it been, she wondered, a day? It couldn’t have been more than that; the sun had set only a few hours before.
The last thing she could remember were her fingers gliding over the harpsichord, a mile above the earth, people dancing all around her, congratulating her on her fine achievements. She was the first woman in a century to captain her own airship, the beautiful, controversial Cenrise.
Ahem...
I'd like to know more!
quote:
The last thing she could remember were her fingers gliding over the harpsichord, a mile above the earth, people dancing all around her, congratulating her on her fine achievements. She was the first woman in a century to captain her own airship, the beautiful, controversial Cenrise.
I became a little confused about the first sentence, because I did not know she was talking about flying an airship. I thought I'd have to consult a dictionary when I saw "harpsichord." But this could be remedied by mentioning the airship first and then her experiences with it, just so the subject of discussion is clear.
*Give us a name. Why not?
*To whom does her voice seem to drift?
* I don't follow what's happening in paragraph 1. Why is she calling out? Couldn't she see anybody who might be there?
* The last thing she remember *should* be being on that boat. Maybe this is the last thing she remembers BEFORE being on the boat.
* Give us the significance of what's happening. I don't know how she feels about the problem. Sad? Angry? Scared? Is she afraid she's going to die? Or will a satellite detect her really soon now?
Another thing to avoid is filtering. Mostly I understand this in concept rather than practice so if it doesn't make sense please ignore my babble. It is when you describe the actions of a character instead of presenting them through the eyes of the character. It's difficult to spot but is often signaled with "s/he did..." starting too many sentances in a row.
"She waited a moment, head tilted to the side, hearing only the lapping of waves against her driftwood boat."
"A moment passed but only the lapping of waves against her driftwood of a boat greeted her straining ears"
These are more technique and fine tuning things though. I think what you have submitted is really interesting and I'm hooked.
[This message has been edited by Stormy (edited August 22, 2006).]
cll
cll
I also agree about dropping monotonously.
Having said that, I want to add that I think you've got a really good beginning here. If the rest is anything like it, you've got a winner.