Novelty, Missouri was the carnival capital of America, and there was a sign at the edge of town that said so. Ainsley could see it from her window, just beyond the muddy field where the third carnival of June was unfolding its tents and rides and those little knickknack shoppes that always use the extra "pe". The carnival folk scurried around like ants, trying to set up before the daylight faded.
When the lights started coming on, Ainsley could tell that it would be a good one. Living in Novelty, you learned how to tell. The tents were bright-striped. The rides looked clean. The shoppes were painted in bright colors, instead of the usual peeling whitewash. This one was worth checking out.
I wonder if there is too little character involvement in the early opening here. Do you get any feel for Ainsley? Does this scene spark any interest?
I like the opening especially the line "Novelty, Missouri was the carnival capital of America, and there was a sign at the edge of town that said so."
If this were a novel length work, I'd say it was about perfect setting up the story but for a short story it is probably too slow.
quote:
The carnival folk scurried around like ants, trying to set up before the daylight faded.
Nice image but it is probably in the wrong place. I would drop the line to get to Ainsley's reaction to this carnival.
quote:
When the lights started coming on, Ainsley could tell that it would be a good one. Living in Novelty, you learned how to tell.
Don't give me a detached laundry list of how it looks. Let me know what Ainsley thinks about it. I would cut the next three lines and plunge into "This one was worth checking out."
Hope this helps.
For a horror story a slow opening like this I particularly like because it's the calm before the storm.
I think comparing busy people to ants is overused. I'd say find a new way to say this, something that is more meaningful to this story than ants. (Well, unless ants ARE meaningful...)
I like your second paragraph. One small point might be to clarify the "it" in your first sentence, since you've started a new paragraph.
In general I get a feel for Ainsley's curiosity, and her expertise in judging carnivals. I don't get a good impression as far as her age, though, which could be worked in rather seamlessly if you wanted. I'm interested in the town more than the character or the carnival, and I'd keep reading.
The only real nit I have is that there's very little set-up for the sentence "When the lights started coming on, Ainsley could tell that it would be a good one." I feel you need a sentence along the lines of "Ainsley didn't have much confidence in carnivals, but when the lights started coming on..." Something like that.
Hope this helps.
(edit)
As far as getting a feel for Ainsley, I get her as childlike, but with a hint of maturity. Say . . . early teens, kind of a loner, but not in a misfit sort of way? That's the impression I get from this.
(/edit)
-Falken224 (posing as Corin)
[This message has been edited by Corin224 (edited August 15, 2006).]
Didn't see anything wrong with the opening, depending on what comes immediately after. Plot needs to get going in the next paragraph for a short story.