This is currently a 2,697 word story. I'd like to get critiqued on the rest of it if anyone's interested.
It’s been three weeks of duty and I still haven’t seen any combat. Two years of training for this, I think to myself. The air is hot and humid as it always is. It’s also raining as it always is. I let my head fall back against the tree I’m leaning against and watch as tiny needles of rain roll off the leaves and onto the ground. I try not to think about how much I want a cigarette.
The pitter patter of rain drops drown out the clicking of crickets and my thoughts of Anna. The weather here in Vietnam is almost schizophrenic, intervals of rain that’ll last half an hour every fifteen minutes or so. My poncho keeps most of it from getting onto my fatigues but it’s pointless when you’re sitting in the dirt.
[This message has been edited by zipperhead409 (edited February 25, 2006).]
[This message has been edited by Kathleen Dalton Woodbury (edited February 26, 2006).]
As for this version, I'm not compelled. I'm not certain, but perhaps there is too much 'up front' time about describing his boredom. Maybe get to the noise sooner, and return to introspection later.
I find it difficult reading through an opening description of how bored someone is.
I also found it difficult to keep track of your tense.
Sitting in the mud instead of sitting in the dirt? Conveys the idea of wet underfoot as well as from on high.
I think you can drop the "here" from "The weather here in Vietnam....". I'll know you're in Vietnam and the "here" breaks the sentence flow a bit.
Except for the last line, it reads like a news report. You're TELLING us about his experience, why not show it? Put him in a dire situation. It's wet. Ok, so tell us about how his feet are tormented with the itch of fungus - how he plucks leeches from his body and what it feels like - how the air smells of the stench of death or how even the rain has the sulpherous smell of exploding shells.
How can I fix the execution?
What is it about my word tense that's awkard?
[This message has been edited by zipperhead409 (edited February 25, 2006).]
Thanks for all your comments btw, I was doubtful at first but I think you guys may be on to something.
Note from Kathleen:
Please only 13 lines in manuscript format (12-point courier font) per story. Not 13 lines per post.
[This message has been edited by Kathleen Dalton Woodbury (edited February 26, 2006).]
WOW!!! I think this is an incredible improvement! Still a few little rough edges, but by and large MUCH better. Nice going. Keep it up!
Now you just have to put the background back in (a little of it) so that we know where he is and what he's doing.
I can’t help but wonder if the last paragraph in this one would be “tighter” if you got rid of some of the “the’s”. I stumbled over them. Just my two cents…
Some of the details of the action and plot you describe undermine my confidence in your story. For a story dealing with this subject matter, it's very important to show that you know what you're writing about. This falls just on the outside...it doesn't set off my BS alarm, but I didn't quite buy it either.
What Survivor said about present tense. (I also note that according to OSC, and I think he's right, present tense is a trademark of "literary" fiction: it distinguishes it from "popular." Know thine audience. Is this to be published in the Blank Review, or a pop magazine?
Nits:
My brain tells me to reach for my gun but my hands feel paralyzed.
This might well happen with me, but soldiers are trained to overcome their reluctance to fire. Ask a soldier if it's realistic; I'm not sure.
I wait for death to come but nothing happens.
This I can't believe at all -- or else I want an explanation of how we ended up with a soldier who passively waits for death.
The deafening sound of my M-16 causes the alarm inside to break out into a siren. A spotlight revolves around in the rain before finding it’s way onto me. I keep shooting until I hear the click of an empty clip.
When did he start shooting? Oh. I missed that word "my." Even so, it sounds like the M-16 just started up of its own accord. I think this will work better as: "I aim and fire. The deafening sound..." Also, one thing MC will definitely be perceiving: did he hit the enemy? Or can he not tell? That's what I want to know about -- and that's what he's thinking about.
Why did he keep shooting? Running out of ammo firing blind doesn't sound wise. If he's unwise, I want some indication.
Is a fine way to start a novel. If I were you. It start here and run with it. I shortened the sentence a bit.
[This message has been edited by Tanglier (edited February 26, 2006).]