I wanted to see what the breakdown was among Hatrackers.
Please make comments if you wish to but could you at the end of your comment use this format for voting. It will make tallying the votes easier for me.
So, do you read the following? Please give an approximate percentage of your reading time spent on each. (It has to add to a hundred--for you fantasy types!)
e.g.
Hard Sci-fi: 50
Soft Sci-fi: 20
Fantasy: 30
Perhaps your hard sci-fi intros are less engaging.
In thirteen lines I doubt whether anyone is going to detect whether it is hard or soft sci-fic, (unless you do some pretty awful authorial intrusion ie: trying too hard). All they will know is whether they trust you to tell a good story, and whether they are interested.
ps: it's 'bifurcate'
[This message has been edited by Andrew_McGown (edited August 27, 2009).]
[This message has been edited by skadder (edited August 27, 2009).]
Soft sci-fi is, IMO, sci-fi set in a future, but the person (POV) doesn't 'live in the science' althought they may be surrounded by novel stuff, they don't (or the author doesn't!) know the priniciples of how it works. Explainations about tau-neutrinos and Hawking radiation never rear their ugly heads.
I am open to clearer definitions as mine feel a little muddy.
Soft Sci-fi: 55
Fantasy: 35
Fantasy:30
Soft SF: 60
Hard SF: 10
I used to read much for fantasy, but it started getting to me after a while. So recently it's been mostly soft sci fi and other genres--historical fiction, mainstream, and nonfiction.
quote:
(It has to add to a hundred--for you fantasy types!)
You were teasing and so was I.
Cheer up.
I used to be heavier on the sci-fi, both types. But I'm not one to care whether the technical details are realistic, so long as it sounds like it makes sense to the characters.
I don't see a lot of hard science fiction out there (unless you count military science fiction, which I hardly ever read), so the percentage of hard science fiction, or even soft science fiction, of my total reading is going to be quite low, even though I might want to read more than that.
Since the beginning of this year, the only science fiction of any kind that I have read was THE HUNGER GAMES by Suzanne Collins. All of the other speculative fiction I've read (and I read a lot of other stuff, including what might be called "hard science" nonfiction) has been fantasy. (I have C. J. Cherryh's latest science fiction book in my to-be-read pile, but it would qualify as soft science fiction, as would THE HUNGER GAMES.)
Just saying.
SF -- 5%
fantasy -- 95%
That being said:
50 percent "soft" SF.
30 percent fantasy
20 percent "hard" SF.
(In the writing of it, more likely than not, "soft" SF is what I turn out. I try to keep the science accurate but it's not the be-all and end-all of the stories I write. I've only rarely dipped into "hard" SF, and it's been some years since I've done anything that's straight fantasy.)
Non-speculative: 50%
Speculative: 50% broken down as follows-
Fantasy: 60%
Soft SF: 30
Hard SF: 10
I bet many of us, if not most, read crossovers like this a lot.
quote:
Cheer up.
I wasn't down.
And smileys annoy me.
[This message has been edited by skadder (edited August 27, 2009).]
STAR WARS could qualify as fantasy with science fiction trappings (such as spaceships) and some "science" as the magic.
I wrote an article once in which I discussed the claim that STAR WARS was actually a "western in space," by trying to translate STAR WARS into western motifs. I came to the conclusion that it was more like the televison show WILD, WILD WEST than a typical "western."
When an author uses science to explain how the FTL drive works and talks about accelerating micro-black holes to create the inertial mass required for...(blah, blah) I am more convinced about the realistic quality of the story. Although, I know it is impossible to go faster than the speed of light.
A working definition of hard science fiction might include plausible science and/or technology's influences on a story's characters and its dramatic and imaginative premises.
Soft science fiction tends to have psychosocial influences on a story's characters and its dramatic and imaginative premises.
I label the bulk of science fiction as fantasy for the wealth of incorporated fantastical imaginative premises.
A majority of Michael Crichton's stories are in my estimation hard science fiction. Ray Bradbury's, largely soft science fiction.
My reading and writing preferences don't follow genre or mode. I prefer stories that have focal characters suffering insuperable struggles in dramatic contexts that depict meaningful insights into the human condition, especially ones oriented on alienation.
I'm an omnivorous reader, as much because I like to keep as current as I can with what's what and who's who as because what's accessible and entertaining ranges across a broad spectrum. However, the stories that entertain me most must be character oriented. Stories with heavy milieu, idea, or event emphasis hold me at an uncomfortable arm's length.
Lately, the fantasy genre has dominated in the fantastical genre marketplace, so a large fraction of my reading is in fantasy. The pendulum swings though; about a year left of the Potter pall. In the fantastical genres, I prefer character oriented hard science fiction. Soft science fiction comes a close second in my priorities, but there hasn't been a lot of surpassingly good hard or soft science fiction of late. I'm starved for a surpassingly good hard science fiction story.
[This message has been edited by extrinsic (edited August 27, 2009).]
I find it very hard to find sf among all the fantasy on the bookshelves. I try to buy one a month but it's hard. A lot of the published sf novels aren't as well-written as the mystery-thrillers I otherwise read. I rarely read fantasy. I think the last new fantasy I bought was somebody's THE MAGICIANS AND MRS. QUENT. Good book, by the way.
So, my reading is more
fantasy 2
sf 10 (because of rarity)
mystery-thrillers 80
social fiction 8
[This message has been edited by arriki (edited August 27, 2009).]
Fantasy - 80
sci/fi - 10
all others - 10
Though I guess it would qualify as that "science as the magic" kind of fantasy, too.
Now, realistcally, the breakdown is:
Historical - 40%
Fantasy - 30%
Soft Sci-Fi - 10%
Hard Sci-Fi - 1%
Horror - 5%
Thriller - 10%
Crime - 4%
My problem with hard sci-fi is that most of it I've read is slow, and doesn't focus as much on the story as the science. The only "Hard Sci-Fi" book I've read that makes me want to read on is Ben Bova's Mars.
I like Space Opera/Space Fantasy the most of the sci-fi-ish genres (Star Wars, Firefly/Serenity, The Man Who Never Missed, The Saga of Seven Suns, etc.).
The good horror writers are now starting to show their systemic approaches...they're getting predictable.
Thrillers seldom live up to their names, but I do enjoy spy thrillers.
Crime (which I also bundle Mystery in) has become more and more predictable.
Fantasy is making a resurgence, and my natural propensity toward history keeps me hunting new historical authors.
It's funny, as I mature as a writer, I find that it doesn't much matter what the genre is, as long as it's a good story. (I'd have thought that would have been backwards, but it isn't.) If I care about the characters, and they are believeable, I'll follow them through whatever genre they travel.
I haven't commented on any of your stories, skadder, because I've been very distracted lately. Besides, if you want me to check something out for you, you have my email addy.
NOTE: in times when I'm in the middle of researching for a new project (such as I am now), non-fiction beats out fiction; currently, I'd say I'm running about 75%-25% in favor of non-fiction.
S!
S!
quote:
(It has to add to a hundred--for you fantasy types!)
Dude. Burn.
Anyhow...
HSF - 30ish
SSF - 30ish
F - 40ish
quote:
Since this thread started with crits in F&F, I'll add that I rarely comment on short stories; my focus is the novels forum.
It was started because of a pattern I noticed in F&F Short Stories, but it wasn't meant to be a complaint. I wanted to see how peoples reading habits broke down, with regard to genre and if it supported my hypothesis.
I know that fantasy outsells sci-fi in bookstores, but I didn't know if that held true with regard Hatrackers--as we are writers.
Not including what I read in other genres, though I'd estimate less than 5% of what I read is in other genres. I'm reading a book right now that I'd include in my YA fantasy category - speculative fiction - set in WWII, told from the POV of Death (kdw - yes, I'm still reading The Book Thief, great book but really quite long!)
I know (from having asked him in person) that Ray Bradbury didn't consider himself a science fiction writer (at the time I asked him, anyway).
I have heard that Margaret Atwood doesn't consider her HANDMAID'S TALE science fiction, and that Michael Crichton never considered anything he wrote as science fiction, either.
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I know (from having asked him in person) that Ray Bradbury didn't consider himself a science fiction writer (at the time I asked him, anyway).
First, major envy for having met Ray Bradbury in person. He's one of my major influences. Second, I have heard/see him say this many times...that he does not consider himself a science fiction writer and that the only thing he's written that he'd call sci fi was farenheit 451. I seem to remember reading him say the Martian Chronicles despite sci fi trappings were more like mythical stories.
I consider most of Bradbury to be Fantasy or unclassifiable.
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and that Michael Crichton never considered anything he wrote as science fiction, either.
Well honestly, although I definitely sympathize with not wanting to be pigeonholed into being a ----- writer (be it sci fi fantasy horror whatever, I personally think of myself simply as a storyteller) trying to say that Sphere and Jurassic Park aren't sci fi is, to me a little silly. I mean, everybody has their own genre definitions, but I think time travel, spaceships and genetically engineered dinosaurs would be "sci fi" from just about anybody's perspective.
I consider Star Wars fantasy with sci fi trappings. It has outright magic, and its story structure is very much that of epic fantasy. It just happens to be set in a time/place with advanced tech and extraterrestrials.
My definition of "hard" sci fi, and the one I've seen used most often in things I've read or conversations I've seen, is that "hard" SF usually includes only science that is either verified, or extrapolated very much from current proven scientific theory and/or that hard SF stories tend to be more focused on the science than the story.
I'm rather surprised by this actually, skadder, since from my experience I'd have thought there was a bias toward SF in general on Hatrack and possibly even to hard SF specifically...and if there were a bias against anything, it'd be horror/anything dark, somewhat toward straightforward medieveal style high fantasy, and toward anything genre bending. And although i guess it doesn't really pertain to intros the biggest bias I find regard specific story types and structures rather than genres.
That being said as far as my own reading I'd say probably something like
50% Fantasy of one kind or other.
28% "horror" of one kind or other
20% things I don't consider to fall into a specific genre (this would include Lovecraft, Simon Logan's industrial stuff, and for me most of Ray Bradbury)
2% assorted sci fi (although I haven't really read much actual sci fi recently.)
quote:
I'm fantasy
Whose fantasy are you, satate?
I have heard that Star Wars and Herbert's Dune is falling under a new catergory, Science Fantasy.
I do have a hard time determining what is hard and what is soft Science fiction. I prefer both and gravitate toward somewhere in the middle. So I guess my preference would be more of a semi-e....
You know, I better stop right there.
A catagory I haven't heard yet is Alternate History. Is it Sci-fi, fantasy, or other?
The fantasy genre I think is more muddy than sci-fi. A lot of fantasy stuff is set in modern times with little to do with traditional fantasy themes. Is there a name for that?
Here are my preferences
Sci-fi 40%
Fantasy 30%
Alternate History 25%
Anything by Colston 5%
quote:
A lot of fantasy stuff is set in modern times with little to do with traditional fantasy themes. Is there a name for that?
Urban fantasy?
Fantasy 90%
hard SF 5%
Soft SF 5%
85% YA fantasy
15% regular adult fantasy (and most of that would be books in a series, or the number would be even lower).
[This message has been edited by Unwritten (edited August 28, 2009).]
quote:
A lot of fantasy stuff is set in modern times with little to do with traditional fantasy themes. Is there a name for that?
The term I use most often for this is contemporary fantasy, since urban fantasy implies a limitation to an urban setting, which contemporary fantasy is not always doing. Think of modern-day retellings of fairy tales set in suburban high schools, etc.
On Bat Durston...a while back, I read a collection of George Railroad Martin where he published (or reprinted) an essay rebutting the concept---I'm inclined to agree. Your "injuns" might be aliens, but they might (or, really, should) have their own history and biochemistry and reason for hating the cowboys (or whatever they are.)
Is it interest? Is it nobody's publishing anything good anymore? My library's "new" shelf for Fantasy/Sci-Fi is definitely heavy on Fantasy. Very little sci-fi, and even less that is standalone (true for fantasy as well, seems everything is book 3 or four in a series of who knows how many it'll end up being. Not my cup of tea unless I have started the series at the beginning...)
I personally really like Scalzi, and Westerfeld (YA) for contemporary/near-future sci-fi, stuff that has been published lately. I like the OSC Ender series (even though he views his work as fantasy where technology = the magic, I still put him in sci-fi, LOL.)
Those works are all definitely in the "soft sci-fi" category for me.
For harder stuff, I've enjoyed the Clark RAMA books. I've read one of the Ringworld books but haven't dived into the others. Yes, older stuff for hard sci-fi for me. I tried a few more recent ones (BEYOND INFINITY, by Benford and REALITY DYSFUNCTION by Hamilton) and found one really hard to read/understand, the other to be filled with a bit too much violence, mostly sexual in nature, for my tastes. Have to read more reviews before buying hard sci-fi/new authors is what I have decided.
But what else? Is nobody reading Stephenson anymore? Or going back to golden-age guys like Heinlein and Asimov and the like?
Meanwhile, skadder, I also wanted to address your point from the original post, which was that you don't get as many comments on your hard sci-fi intros. I've been particularly delinquent in reading in F&F lately. I think those of us who do actually read the genre should make a more concerted effort to read fragments and post comments. I'll try to get better about that, I'm just not much for full crits these days so I've stopped even doing the partials because I feel bad. But any feedback is good feedback, IMHO, so I'll try!
Hard Sci-fi: 0
Soft Sci-fi: 25
Fantasy: 75 (Of that, 60% was The Dresden Files by Jim Butcher)
My loose definition of hard sci-fi: Fiction more about established/theoretical physics/technology than characters.
Soft Sci-fi: 5
Fantasy: 95
Fantasy 95%
Soft Sci-Fi 4%
Hard Sci-Fi: 1%
Note that in fantasy I include horror with some sort of supernatural/mythological content.