1) Sci-fi story (4K)
2) Comedy story -fantasy (2K)
3) Sci-fi story --comedy (4k)
4) Sci-fi story (6k)
All things being equal (the 2k comedy story seems to go down best, so far) which story should I send? Now I realise that you haven't read these stories, but my question really is, what sort of stories win WotF, or do well consistently.
But if you honestly favor them all equally, send in the sci-fi 4k one. It's not too far off an average length for stories in WOTF, and they don't seem to take a lot of humor....
(But really -- send your best one.)
First, objective criteria: a mechanically sound story. The criteria for mechanical soundness is probably mostly universal. A strong beginning, middle, and ending, unity in all aspects, potent, proportionately escalating reader immersion, good magnitude, outcome remaining in doubt until the ending, and a completed reversal of fortune. Ms. Wentworth has also frequently said that originality is her number one criteria. What's original, per se, is not universal, though.
Second, subjective criteria: tastes, sentiments, fashions, selecting for target audience and such. For me, getting a handle on the subjective (and objective) criteria of the judges, especially contest coordinating judge Ms. Wentworth, meant reading and analyzing their work, and the work of predecessor WOTF judges and mentors and author inspirations. Baen's Free Library has three of Ms. Wentworth's novels, two in the Black on Black series and one a collaboration with Eric Flint.
http://www.webscription.net/s-110-k-d-wentworth.aspx?CategoryFilterID=1&Manufac turerFilterID=0&
Others of Ms. Wentworth's short stories indexed at Free Speculative Fiction Online: http://www.freesfonline.de/authors/K.%20D._Wentworth.html
Two of Algis Budrys' short stories are available at Project Gutenberg. http://www.gutenberg.org/browse/authors/b#a25613
I've not located any of Dave Wolverton's fiction online.
I sense that Ms. Wentworth's recent work has more subtext than her earlier work. She has stated that one of the main target audiences is high school writing classes. Therefore, my conclusion is that the most common determinant is young adult audiences, not necessarily coming of age stories, but many of the contest anthologies' stories that I've read have discernable features of coming of age stories.
[This message has been edited by extrinsic (edited May 20, 2009).]
Very good for your writing career if you do well in it...
I'm not sure what the entry rules are off the top of my head, but since it is held quarterly, couldn't you submit each story once?
skadder, K. D. Wentworth professes that the WotF lacks good hard sci-fi. So, my guess is that would be the most delightful for them to find.
WRITERS OF THE FUTURE
1ST Place from New York is Tom Crosshill for his story Seeing Double
2nd Place from Oregon is Alex Black for his story Lisa with Child
3rd Place from Washington is K.C. Ball for her story Coward's Steel
[This message has been edited by tnwilz (edited May 31, 2009).]