What they are after with the big battle, is to have a major crisis at the end where there is no way the hero can survive, he has a solution, and then one can tie up the end.
Just has having a super battle to allow them to get close enough to the bad guy to finish him off, is common to stories, just like having the bad guy thought to be dead, then suddenly gets up so the hero who's guard is down, has to finish it off a last time.
It just depends on what the story is designed to do.
One could, of course, have the hero play chess with the evil one as the final battle, but it would not be as exciting.
One thing with the final battles is that the bad guy always has more soldiers, more experienced and better trained than the hero is able to accumulate.
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I'm talking about when they write a series. It seems that there's always a big battle in the end of each book.
No, they don't always do it.
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Would it not be acceptable to have several battles throughout the book
Think of how battle scenes in your favourite books serve to escalate dramatic tension in the book. The stakes are usually raised with each conflict. This serves to gradually escalate tension towards the end - where the author provides a final dramatic climax and relief to the reader so they have an enjoyable reading experience.
There are a great many ways to raise the stakes and create tension and conflict in a fantasy novel. With some wide reading you'll pick up on those devices and be better able to use them to great effect in your own writing.
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and to leave the reader hanging at the end, just thinking about when the next book comes out?
Readers get frustrated by books that leave readers hanging, critics warn them of it, and no one buys the book until the series is written (which also makes it less popular as a series), so publishers will shy away from these types of endings.
A series will generally finish several important plotlines, so that the reader receives satisfaction from those being properly closed in the method described above. One or more plotlines will be left open, however, so that they can be continued in the next book. The reader is usually aware of what these are, but given that the 'immediate' problems of the finished plotlines have indeed been resolved, they're satisfied.
This was one of my major problems with the trilogy I'm working on. I had to figure out a conflict I could resolve satisfactorily in Book Two. Book One wasn't a problem. Neither is Book Three. But to make the three books each stand alone, Book Two needed a significant enough conflict that could be resolved in that book. That took awhile to figure out.
I don't think all fantasy novels have to have a battle at all. They do have to have a rising conflict and a resolution of that conflict. But it doesn't necessarily have to be a battle. It can be a personal conflict between two or a few people. It can be an internal conflict. It can even be a conflict of one or a few people against some impersonal form of magic. There have to be stakes that increase as the conflict progresses. And the main conflict of the book has to be resolved some way.
[This message has been edited by Meredith (edited April 06, 2009).]
You can leave a reader "hanging" at the end, but I wouldn't recommend it--it annoys many of us. The most effective way to end in the midst of a series is to have each volume tell a complete story that is resolved withing the volume while discreetly sowing seeds for the continuation.
I've recently read Robin Hobbs's Farseer books, and she does an excellent job of giving each volume a satisfactory conclusion while at the same time paving the way for the next story.
So, yes. A big battle is the simplest way to make a conflict reach gigantic proportions and for it to have an outcome without causing too much effort from the writer. Basically, it's uncreative, but done so many times readers are used to it.
But when a writer (Paolini, etc) follows a formula "wrap up story with massive battle---jumping in from nowehre---where the good guys face overwhe,ing odds but prevail anyway... and these losses somehow don't carry over to the next book..." this kind of thing isn't such a hit, one would think.
Don't you just hate it how some mediocre talent can get massive attention, while truly skilled writers are thrust into the background with just a small loyal fan base.
Is it okay to leave the reader hanging at the end? No, not if we want the reader to read the next book.
Why?
Every book in a series, in my opinion, should be a story in its own right, the series connected by a broader story arc. Every story -- every book -- should revolve around a central conflict, and should end by resolving the conflict, so some kind of final battle is inevitable.
If the characters choose to fight each other with armies, navies or air forces then yes, the final resolution will likely be a climactic battle.
If the characters fight using their individual strengths, then there will be a final fight between MCs to resolve the conflict -- for example, James Bond stories always end this way even though the military are sometimes involved in the conflict. Superman and Spiderman, too, tend to end with a fight amongst just a few superbeings.
Another example: in Twister, the main antagonist is the F5 twister, and the movie climaxes with a big "battle" between MC and his girl, and the tornado.
In a series (like Fleming's Bond books) reader is drawn to the next book by the strength of characterization, world building, plotting and action, and thus some confidence that this author always delivers a good read with a satisfying ending.
If we leave the reader hanging (and some series books do) there is a risk that the reader will wonder if the next book, also, will leave her hanging ... and the next, and the next ... Me, I get annoyed if I'm left hanging and add that writer to my list of "never read again" writers.
I think LOTR is an exception to this (and there are probably others) because it's really one huge story, divided into several volumes to make it possible to lift the darn thing.
[This message has been edited by Zero (edited April 09, 2009).]
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