http://www.intergalacticmedicineshow.com
There are plenty of other short story markets out there, so if you're just getting started, have no fear. There's always another market to submit to (I haven't decided what's next if IGMS rejects my submission, but a good friend suggests to always have a fresh envelope ready to slap a new cover letter on a manuscript and send it out the same day you receive a rejection. Many authors would agree. IGMS accepts emailed submissions so it's not quite the right visual, but you get the idea...)
Eric James Stone is as close as all get out to being a regular there.
As Tchernabyelo stated, Eric James Stone has had quite a few stories published there.
It's a market with a good reputation and pay-rate, so it's very competitive. As KayTi said, I wouldn't think of IGMS as your only possible market for the story. Rejections can happen for reasons beyond your control and for reasons unassociated with the the quality of the writing (i.e. not to the editor's personal taste, just published a glut of stories with a similar theme, etc.), so I'd try and think of IGMS as just one of your target venues. If you get in, it would be a huge credit.
Nick
I have submitted to them, following what is said on their guidelines, but of course I haven't gotten very far.
Evidently some here have gotten in so do they have any hints or know anything for sure about the type of stories and type of writing. As in how to write that way. Yes, I know read the magazine but even that doesn't always give enough info.
Thank you for offering your story to Orson Scott Card's Intergalactic Medicine Show. We're sorry to tell you that we will not be using it; you are free to submit it elsewhere. However, we would encourage you to send us more of your work for consideration in the future.
Don't know if this means anything, but I'll take whatever I can get. Not sure it means anything.
Personally, I start with the big three - Asimov's, Analog and F&SF. Then I move to the other pro-pubs depending on where I think a story may fit. I've gotten a couple of personal rejections from IGMS and a handful of other pro pubs, but never a personal from the big three - not yet.
Edited to add: Check out Duotrope for more market information.
http://www.duotrope.com/index.aspx
[This message has been edited by genevive42 (edited October 09, 2010).]
In other words, they have hopes that something else you've written or that you may write will fit their needs and they'll be able to use it.
Encourage means encourage.
quote:I've sent two stories there and received two rejections. The first was a kindly "we're sorry..." But the latest was a bit more encouraging... I hope.
Thank you for offering your story to Orson Scott Card's Intergalactic Medicine Show. We're sorry to tell you that we will not be using it; you are free to submit it elsewhere. However, we would encourage you to send us more of your work for consideration in the future.
Don't know if this means anything, but I'll take whatever I can get. Not sure it means anything.
I can relate, I've felt the same way a few times. I've tried to remember if their rejections of my stories have said that and I can't recall. Most other mags say that. One in particular said it in a different way and for one rejection I thought it might be note sent to me personally. But the second rejection said the same thing in exactly the same words so it was only a form letter after all, just worded differently.
At times I wonder if one of these mags ever not say it. One market sent a check list of around eight comments. Of course my story didn't get very far but they checked the send another box also, my first thought was when have they ever not checked that box.
quote:
IGMS is definitely one of the better pro magazines but you shouldn't be trying to tailor your stories just to get into their publication. WotF is different, it's a career builder. IGMS is a good credit but there are others that are equally good or better.
Personally, I start with the big three - Asimov's, Analog and F&SF. Then I move to the other pro-pubs depending on where I think a story may fit. I've gotten a couple of personal rejections from IGMS and a handful of other pro pubs, but never a personal from the big three - not yet.
Actually, I now consider IGMS one of the biggies. It's one of the newer ones, those three oldies are still top but I think there's a couple of newer markets that are right below them. But at one time F&SF was the very first market I sent a story to, for SF stories Asimov's and Analog were next. F&SF might have been the first pro market I sent a story to and when they said it didn't quite work for them I was determined to send one that did. I was encouraged in that when, back during my all too short period of good writing, I received a note from F&SF, JJA to be exact.
Still would be nice to have some advice on IGMS.
And I like ralan.com. Usually I check there at least once a month looking for new markets. Pro, Semipro, Pay, Anthos and contests.
[This message has been edited by LDWriter2 (edited October 09, 2010).]
The last thing an editor needs in a slush pile is more stuff they can't use, so if they think you might be able to send them something they can use, they will certainly ask for it.
The IGMS blog had a couple of posts about what we're looking for (and not looking for) in a story:
http://sideshowfreaks.blogspot.com/2009/12/freak-filter_02.html
http://sideshowfreaks.blogspot.com/2010/07/freak-filter-redux.html
quote:
I'm one of the assistant editors for IGMS. The line about sending more work for consideration in the future requires a little extra effort on our part, so we generally include it only when we've noticed something promising about the story.
Since I restarted this thread and have also stated my own feelings about that statement, I want to add my own thanks for your time.
Looks like I have to rethink my assumptions. When at least half of your rejections have that statement on their form letter and certain markets always say it, its easy to think of it as just another line on a form like "good luck with the story". Especially when you never get beyond that point.
quote:Don't worry about it. I'm a writer, too, and I've done my share of rejectomancy
Have to remember that term. Except that it sounds kind alike someone trying to speak or raise to the dead.