To clarify,
quote:
Alex sat up, his head throbbing...etc, etc, etc
or
quote:
"I don't wnat to ask again," the man said. Alex just stared at him silently.
Do these approaches turn you off as a reader? Honestly I don't see any particular reason why they shouldn't be acceptable. But then again I've never published a novel. Not yet anyway
I can't think of any examples just now but I know I've read alot of books that start in one of those ways.
I'm not a fan of opening with dialogue, but it certainly isn't a deal-breaker for me, and it happens a lot. I can't see why anyone would object to having the main character's name at the beginning.
Most of the time:
It is probably good to introduce your main character quickly after the story starts.
It is probably good to have the plot beginning to move forward ASAP.
It is probably good to give the reader a taste of the millieu/setting early on.
I always pay attention to the first three or so pages when I read a novel, or the first page-and-a-half when reading short stories. I've seen every "rule" that I'm aware of about beginnings violated to some degree.
Many authorities give contradictory guidance about details concerning beginnings. If you tried to integrate each of them, you might wind up with a null set and never get to start at all.
As a reader what I like is to be shown a little bit about a character, and a little bit about a story that's beginning to happen. If you do that with reasonably lucid prose, I bet you'd be okay. Really, in the end it's more about the 2,500 to 150,000 words that follow, i.e., the story.
But then, as was stated previously we need to know who the viewpoint character is, where they are, what they are doing, plus the genre from the getgo... at least with short stories.
If I am wrong, please convinvce me why.
Particularly when using 3rd Person Limited Omniscience, it is entirely awkward for a person to think of themselves as other than by their name or a pronoun and its better to precede any pronoun with the proper noun to which it refers. Since we are seeing the world as from inside their head, we see the MC as they see themselves.
Now in full Omni, which is out of fashion at the moment, you can start by describing the MC as the shadow lurking along the alleys and later bring the character out with a name.
In first person, bringing out the MC's name takes a little effort. You can't just slip, "My name is..." into a narrative. Well, you can, but you will often want to do it more creativly.
OSC's "First Paragraph Free" method allows you to use the first paragraph to establish things like setting or your character from without. But, just because it can be free doesn't mean it should. I find that I prefer stories that don't use this allowance.
Don't get hung up on the first word or whether it should be a name. Don't worry about it, write it so that we care as quickly as possible what happens next. Sometimes you need to use a name, sometimes you don't. Don't push one way or the other, just push to make it make me want to keep reading. That's all you need to think on. Get me (the reader) involved deeply, quickly.
[This message has been edited by pantros (edited December 22, 2006).]
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How was that? Original enough for everyone?
I don't like opening with dialogue because dialogue is generally heavily dependent on context (like who is speaking to whom, and in what situation). Only start with dialogue if you can reasonably remove all references to the identity or situation of the speakers, letting the spoken dialogue stand entirely on its own. If the dialogue passes this test, then leave it that way as a clearly defined opening vignette. If it doesn't pass that test, then establish the scene and characters before moving to dialogue. I also don't like starting with a character's name unless that character is going to be the POV. If you don't want to write in a Alex's POV, then don't start with "Alex sat up," and then describe things that he couldn't sense or know.
quote:
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"He told it wrong...and since when do Irishmen drop their 'aitches'?"
quote:
tot ake
He isn't a daring new talent anymore, but OSC pretty much always begins novels with the POV character's name.
But I can relate to the angst. My struggles with openings would be a bad joke if anyone were following my posts on this forum.
Why was highlighting my typo so ironic? And "sweet irony" at that. Hmm?