The premise is cheesy, the POV bounces to different depths randomly, and the narration is sporadically deeply intrusive. It's also some of the best writing I've ever read, period.
I'm reading some old Asimov and boy is he an awful writer! Loved reading it, though. Same with an old Heinlein I just went through.
Now, I've moved on to the brothers Hoyle. Funny stuff. 2067 and the first female astronaut!?!?!? Well, a lot of it was cool (Fifth Planet).
Yet The Sea Wolf remains one of the best books I have ever read. The characters, plot, dialogue, technical details, and wordsmithing can stand up to any other novel.
London's writing is definitely better. He generally depersonalizes his characters on purpose, since he's using them the same way that Asimov uses gagetry. Long expositions about the settings and the nature of human (and animal) behavior are an essential part of his stories. His goal is usually to get readers to view humans (and thus themselves), not just as people, but as entities subject to natural law.
In my book, that's also the greatest epithet ever devised for a viewpoint character. 'Hump.' That's priceless.
Inkwell
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"The difference between a writer and someone who says they want to write is merely the width of a postage stamp."
-Anonymous
[This message has been edited by Inkwell (edited August 31, 2006).]