I was checking out the web-sites for Tor and DAW (they being the first two fantasy publishers I thought of) and neither accepts simultaneous submissions.
Do you guys think it would be a better bet to send the manuscript to one of these and wait for a response or to ignore the big two and send it out to multiple, smaller publishers?
Thanks
But, for a first novel, an agent is not always neccesary.
Send it to the big ones first, one at a time. Be patient. It takes years of active submission/rejection to get a novel published.
In the meantime try to get at least one short published somewhere. It will increase the chances of finding an agent.
I sent queries to agents. If anyone can get you in a big house, it will be an agent. in fact, that's about the only way you can really expect to make it happen. They get your story sent to the top of the sluh pile and know what strings to pull.
I didn't have a lot of luck with agents, either, without any publishing history. I got a lot of disheartening form responses...many so fast that they couldn't have possibly read the chapters I sent.
That's why I sent my novel to a small press -- it was actually only the second place I sent it but I thought (maybe correctly, who'll ever know?) that I had a real shot at getting publishered there and that I had no chance at the big houses.
Well, of course, the novel is getting published by the small press and I don't regret my decision to send it there without going to the big houses. It's goin to be a lot of work to push the novel, but I think it would have been at a big house too.
Rules for an agent:
1) Anyone who charges you any fee or monies BEFORE he/she has sold your manuscript and has received a check from the publisher is a fake. [From what I understand, the publisher sends the check to your agent, who removes their fees from your advance/royalties (when applicable), and then sends you money within a month of receiving payment from the publisher.]
2) Anyone who charges to read your query package or novel is a fake.
3) Always research reputable agents and publishers before sending out query packages. Some good places to start look for known scammers and know good guys:
http://www.sfwa.org/beware/
http://www.sfwa.org/beware/agents.html
http://www.aar-online.org (usa)
http://www.agentsassoc.co.uk/ (uk)
http://www.sff.net/people/VictoriaStrauss/agentsearch.html
4) Research the standard terms that other writers of your level have recieved so you are prepared to nogotiate your contract terms when an agent accepts you as a client.
Hope that helps.
Jammrock
[This message has been edited by Jammrock (edited June 22, 2006).]
That may have contributed greatly to the speedy response, but check out the black holes response time at the critters.org website to get a sampling of how long places keep MS.
By the way, a friend of mine who is an editor at Penguin Putnam says that they don't care if an author has an agent or not--if the story is good. But that authors with agents typically have a better edited manuscript and a more-compelling synopsis.
All that said, speaking as a person with no novel publishing experience, I'm getting the very strong impression that the way to go is usually to target agents. They know the publishers way better than you do, often including what they've bought recently, what they need more of, who precisely in the organization to target the story to, etc. Sure, the publisher might not mind dealing with the author (who often might not know enough to negotiate the best possible contract), if they actually choose to publish the novel -- but the odds of it getting the best possible chance seem to come from a legitimate agent.
Also, the chance of two major publishing houses wanting to publish your work simultaniously is so remote that it's not really an issue in the first place.
[This message has been edited by Swimming Bird (edited June 22, 2006).]
But if I'm a writer who sold a novel or two to another house, had middlin' sales (like many early novels), and for whatever reason need to send my next novel somewhere else, I'd rather not send it someplace where I've already deliberately flaunted what they asked for -- people do hold grudges sometimes, and often work on the assumption that if I won't comply with their submission requests, I might be a pain to deal with down the road on other issues.
Again, probably not a big deal if I'm Tom Clancy pitching my eighteenth novel. But if I'm me, pitching my second or third novel (assuming the first ones didn't hit the bestseller lists and make fistfulls of money), I want to keep every edge I can. And the fact that the editor may have moved on just means that I might run into someone who is already predisposed to dislike me somewhere I don't expect.
And finally, I'd be less concerned about this if I hadn't seen what some editors (admittedly largely in the short story arena, but not exclusively) have said. And I'm tellin' ya -- they were pretty emphatic about this. They don't have any shortage of material to consider for publication, so unless my story is so phenomenal that everyone wants it, I want to be mindful of anything I can do to give my piece an edge (or at least not hurt its chances).
[This message has been edited by thexmedic (edited June 23, 2006).]
I don't see it as unprofessional. I actually see it as rather naive to wait months for a single response. Not only is it counter-productive, it's a waste of time.
With agents, the general rule is to query wide regardless. They don't expect you not to, and you shouldn't limit yourself. With publishers, the chances are even more remote that two big names are going to be interested in your work simultaneously.
It really is a rule no one expects you to follow.
My experience is limited to the short story market, but I've sold stories to publishers I had to turn down before. They weren't spiteful. Publisher's do not turn down good stories due to grudges. They just don't. If you're a great writer, and your story is right for their journal, they will publish it, even if they think you're a poo-poo head. Granted, this is only for short story markets, where the level of close, personal contact is less than if would be with the publication of a novel, but the principal is still the same.
Donald Trump wouldn't pass up on the chance to make money buying a thriving business from a person, even is that person snubbed him at the Christmas party last year.
Also, if you sell a novel to one publisher, chances are you will be working with them for years to come on your second or third book. Finding another publisher isn't going to be an issue. And when it is, are editors (assuming the same ones still work there) really going to even remember that submission you sent in years ago?
And unless your story is particularly bad, or particularly good, the chances of two editors sharing stories about it over coffee are about as good as winning the lottery.
In the end, it really is up to the individual. I do it because I don't like sitting around for half-a-year waiting on a single rejection. And I think if every writer did, it'd take up to five or ten years to get a book published.
[This message has been edited by Swimming Bird (edited June 23, 2006).]
Writer's digest publishes a yearly book listing most (some of the very top notch ones are not listed in it) agents and publishing houses. Jeff Herman also has a great book. Both books will give you information about what to put in a query letter.
Sheri Babiski(sp) also wrote "An Idiot's Guide to Getting Published." Sheri is an agent herself and gives some great guidance about what agents are looking for.
Look at the books of published authors who have voices or styles similar to yours. Most of them thank thier agents in the forward so you have a name of someone who likes work similar to yours. When you then write that agent you can say . . "I am writing to you because you are Ms. X's agent . My work is similar to Ms. X's because . . . "
If you don't know who an agent is there are some online places -
like this one:
http://www.wrhammons.com/literary-agents-agent.htm
that list agents and thier clients.
Go to seminars where agents are speaking and meet them. If you meet them at a conference, you can write (in red ink) the conference name on the envelope, even bettter if the agent requests a query letter from you you can use the magic words "By Request." It gets you out of slush and onto the desk.
Finishing the novel was the easy part. Strap on your armor and wade into the field. Don't give up. Start working on the next project while trying to publish this one. If it's not this story now, it will be another one later.
As someone looking for an agent right now too, I wish you the best of luck. Hang in there.
quote:
And yet, the agents and publishers who post here, disagree.
And unless they speak for the entire publishing industry, we'll have to agree to disagree.
Annoyance aside, though, I'm afraid I'm playing their game and they made the rules. I'm just little old me.
Multiple submission is something for the top pros to do when they (or their agents) are sending their current book around looking for the highest bid. They have the clout to make their own rules about marketing. For those of you looking for the first sale, I'd say forget it.
Related question: Can you send a query package to more than one publishing house that doesn't allow simultaenous submission? Or does the query count as the submission?
E.g. Can I send a query package to both Tor and DAW and if both showed interest (unlikely scenario courtesy of Wishful Thinkin 'R' Us) I would then send it to one and tell the other, sorry I've sent it to the other place and am awaiting feedback.
[This message has been edited by rickfisher (edited June 25, 2006).]