quote:
The novelty and freshness you'll bring to the field won't come from the new ideas you think up. Truly new ideas are rare, and usually turn out to be variations on old themes anyway. No, your freshness will come from the way you think, from the person you are; it will inevitably show up in your writing, provided you don't mask it with heavy-handed formulas or cliches.
quote:
it will inevitably show up in your writing, provided you don't mask it with heavy-handed formulas or cliches.
the above is the most important portion of the entire quote.
when i say something about something being familiar sounding, it means that it is TOO much like something else i've seen.
it's ok that you will almost inevitably be recycling some of the ideas of other writers, but do your research. know exactly what has been written before and then do a brainstorming session to find out how YOU want to approach it that will sound the most true to YOU, without too obviously rehashing the old.
i highly doubt an editor will even give you the benefit of saying it sounds familiar, they'll just toss it straight to a waste basket and never you the wiser. they MIGHT send you the #1 rejection that goes something like "sorry, but you don't have anything we're interested in at this time"
all the above being said... it's been a few months since i even looked at the frags and feed section, so i haven't been telling anyone anything about their stories, unless they bring them up in this forum or in the Writer's Class forum
[This message has been edited by dpatridge (edited June 12, 2005).]
And when they do, you can find out how, and then figure out how you can do it differently.
Turn it on its head, add a new twist, bring in a totally unrelated idea or interpretation of what's been done before.
i go to the library and check out several of their books and find that what i had written was almost exactly the same, far too close for comfort.
so just because you've never read something doesn't mean it'll be different enough. sure, it won't influence you, but who's to say you and the other writer don't think eerily alike?
and i agree Kathleen, indeed that was my point. i tell people when something sounds familiar so that they will know that their twist isn't fresh enough... if they don't want to hear someone elses take on something, they shouldn't ask for it.
as i said, however, i REALLY do not tell people that it sounds too much like something else all that often, and when i do say it, i actually mean it, and i attach an explanation and a few ideas of ways in which they might add a new twist.
And, just a hint, it's gonna end up being round and turning on an axle.
Like d says, you gotta read so that you'll be able to figure out how to make your wheel better than the other guy's wheel.
Which is why I always recommend that someone read other stories that have explored the idea. Sometimes I mention a prominent example or two by name, sometimes I just assume that the author can find them given the instruction "read other stories that use this idea". Only by becoming aware of the body of literature that deals with a concept will you be able to make a real contribution to the field.