Thanks,
Cristian V
[This message has been edited by cvgurau (edited October 16, 2003).]
Both Inspired Writers, Inspirational Music and Listen to music while writing? discussed music, and though they didn't restrict the subject to instrumental, they both did touch on how music with recognizable words wasn't conducive to writing.
Some of the newer piano soloists are good also, Liz Story, Jim Bickman (although a bit trendy), and Kitaro is always a good one. Some of Kitaro's cd's have people singing on some of the tracks,but most of it is instrumental. Of course there are tons more.
Actually, amend that. I like to listen to natural sounds: water flowing; birds chirping. The music should be very soft so I don't notice it much.
I also like Bach and Mueler.
Survivor: Where do you pull these topics up from?
[This message has been edited by Phanto (edited October 16, 2003).]
[This message has been edited by Phanto (edited October 16, 2003).]
I am a huge fan of listening to music while I write. I agree with most that instrumental is better than vocal.
I'm working on a YA fantasy novel set in the Mayan culture, so I may have some trouble finding a movie soundtrack. Perhaps I'll just see if I can find some Mayan music on CD.
But I usually listen to rock music as loud as the other members of my family are willing to put up with.
Of course, I actually have been here for a really long time (with a hiatus or two), so I usually know when a topic has been discussed before. If I recall having replied to it, then I search for my own posts touching the subject. If not (as in this case) I'm in the same boat as anyone else, except that I know the topic is there somewhere (though sometimes it isn't some of the important early threads have been deleted).
Soundtracks are faboo -- Elfman, Horner, Williams & Shore are great, great men.
New age music and remixes are fun -- there are words, but they're not usually in standard verse. Enigma is a good example (the new CD "Voyageur" is fantastic) and Paul Oakenfold is another of my favorites.
The other option is music in a different language. The danger there, though, is getting something in a language you learned in school well enough so that the words you don't know bug you. (ie: Shakira) The other danger is listening to it so much you learn it phoenetically and sing it anyway (ie: Peter Gabriel's "While the Earth Sleeps" from the Strange Days soundtrack).
Don't discount popular music altogether, though. More than one author has been inspired by that darned Evanescence album -- myself and John Ringo included!
That's my two cents--
Alethea
Loreena McKennitt - anything
Linkin Park - anything (great lyrics . . . lots to work with there.)
Evanescence - Working on a story even now inspired by a couple of their songs.
Dvorak - Symphony 9 (New World Symphony)
Enya - Anything, but especially the "Memory of Trees" album.
Nickel Creek - mainly their self-titled album. "This Side" is okay, but more "poppy". I'm writing a straight sci-fi story inspired by several of their songs.
Chopin - Pretty much anything he wrote.
Thomas Newman - As far as I know, he's only done movie soundtracks, but both Erin Brockevich (sp?) and American Beauty were STUNNING. They're usually clips of less than a minute, but boy do they capture various moods. Put all his stuff on 'shuffle' on your CD (or MP3) player and let the story kind of assemble itself. It's a very cool phenomenon. Oh, and he title the title theme for Boston Public. GREAT piece of work there. The dude's a genius.
Voce - not sure if that's just the name of the album, or the group. GREAT choral music. Very evocative. But I've only ever found the album on Amazon.
Oh, and of course, you can't put alist like this together without . . .
The Crystal Method - Vegas - SWEET album. Ton of ideas from that.
Anyway . . . that's my two cents' worth.
-Nate
[This message has been edited by Falken224 (edited November 07, 2003).]
"The second experiment, presented at the meeting by Dr. Rauscher and Dr. Shaw, expanded on their widely-reported study published by Nature in October 1993, which found that listening to 10 minutes of Mozart's Piano Sonata K 448 increased spatial IQ scores in college students, relative to silence or relaxation instructions. The new findings replicated the effect, and found no increase in spatial skills after subjects listened to 10 minutes of either a composition by Philip Glass or a highly rhythmic dance piece, suggesting that hypnotic musical structures will not enhance spatial skills."