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OSC REPLIES:
If I weren't writing, I'd be teaching and doing amateur theatricals in
my spare time. I would probably be teaching drama in a university, but high
school would also have been enjoyable.
My most important advice to up-and-coming writers is to establish your own
relationship with your literary forebears. Take no English or American literature
classes, and if you can't avoid them, then don't believe a thing they tell you
about what's good and bad in literature. Read everything and form your own
opinions. It's perfectly all right to despise any "great" writer and love any
"substandard" writer for whatever reasons you have. You aren't STUDYING
literature, you're MAKING literature, and the critics and teachers are utterly
irrelevant to your task. To the degree you believe them, you are destroying your
own future work. But the storytellers of the past, THEM you must deal with,
learn from, and rebel against.
But in avoiding literature classes, don't let yourself be chased out of grammar
classes. Even if to you grammar is exactly as fascinating as doing scales and
exercises on the piano, remember that you can no more become a writer without
command of the rules of English, in every detail, than you could become a
carpenter without acquiring and mastering the use of hammers, saws, and planes.
Not that you think about grammar as you write -- instead you know grammar so
well that it flows naturally out of you. And when you break the rules, as I often
do, you break them knowingly, and not just because you have no idea what
you're doing.
QUESTION:
If you were not a writer what would you be doing and why? What
would be your greatest statement of advise to any young up and coming writer?