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1. Name the book (or books) that made you say, "I want to do this, I want to
write."
2. Please name five books you would like to have with you if you were stranded
on a desert island.
3. If you were a high school english teacher, what five books would you assign?
4. Name three magazines that you read regularly.
5. What CD's get you in the mood to write?
6. What do you read for fun?
7. How did you first get started writing?
8. How did you first get published?
9. How often do you write?
10. What are your three favorite forms of procrastination?
11. Where do you write?
12. Is writing an excruciating process for you or a cathartic one?
13. What would you be doing if you couldn't be a writer?
14. How do you know when you've written something good?
15. What other titles were you considering for your book [Shadow of the
Hegemon]?
16. Is writing your day job? If not, what do you do to make a living?
17. What was the most unusual job you've ever held?
18. Writers are known to have quirky personality traits. What are yours?
19. Do you have pets? If yes, what are their names?
20. Please name your five favorite movies.
Date of Birth: 24 August 1951
Place of Birth: Richland, Washington
Literary Awards: Hugo, Nebula, John W. Campbell, Le Grand Prix de
l'Imaginaire, others
Education: Undergraduate: BA, theatre, 1975, Brigham Young University,
Post-Graduate: MA, English, 1981, University of Utah
Some additional studies at Notre Dame and University of North Carolina at
Greensboro.
Current Home: Greensboro NC, USA
Influences: As far as I know, I haven't influenced anybody.
OSC: What made me want to write was seeing a really bad play and thinking, If
this can be produced, I can write. Good writing only makes me want to read.
OSC: A one-volume collection of LDS scripture, a one-volume Shakespeare, a
one-volume Lord of the Rings. I'd write the other two myself while I was there.
What else would I have to do? Then I'd spend years editing them and
second-guessing myself.
OSC:
"I Am the Cheese" by Robert Cormier
"Eva" by Peter Dickinson
"Singularity" by William Sleator
"The Princess Bride" by William Goldman
"Pride and Prejudice" by Jane AustenOSC: Commentary, Atlantic, Poetry
OSC: I have a jukebox of two hundred that cycle me through country, folk,
classical, Brazilian, pop, soundtrack, Broadway. I always have something
happening musically when I write -- except when I have the TV on.
OSC: Biography, history, mysteries, science, contemporary politics, philosophy
and commentary. I read for fun precisely what I read for research; I do my
research in precisely the books I read for joy.
OSC: When I doctored bad scripts as an undergraduate in a theatre program and
then rewrote amateur articles as an editor at the LDS Church's official magazine, I
learned how to structure stories and make them work. Fixing other people's bad
writing is the best school for writers.
OSC: I submitted a story, revised it slightly at the editor's request, and it sold.
I'm not aware of any other pattern, except for the rare case of successful
self-publishing.
OSC: Whenever the bank account approaches zero. This is a great improvement
over my old system, which was to write only after the checks started bouncing.
OSC: Playing Civilization II on the computer, watching the Fox News Channel
(the only news outlet where the commentators aren't all toadies to power or
mental slaves to a predetermined orthodoxy), and working cryptic crosswords.
OSC: In a room in our attic, with a window that looks out on trees and the peak of
the neighbor's roof. Occasional wasps' nests and spider webs over the years have
enlivened the view. Years' worth of clutter show great promise for excavation by
some future archaeologist.
OSC: I don't know. I try not to remain conscious during the writing process.
Like surgery, it is best suffered unawares.
OSC: Whatever somebody would pay me to do. Alas, that isn't a very long list,
since I'm lazy and virtually skill-free. This practically dooms me to teaching at a
university until they deny me tenure.
OSC: I never know. I can come up with an infinite variety of definitions of
"good" that can include or exclude anything I write, at will. So it all depends on
whether I'm depressed or a bit jaunty on any given day, whether I think something
I've written is good or not.
OSC: I never considered another one for this book. The book immediately after
it, however, has gone through several -- Shadow of Death, Valley of the Shadow
-- before I finally settled on the much better title "Shadow Puppets."
OSC: Sometimes I feel as though signing books and talking on the phone is what
I do for a living -- that's what feels most like a day job, mostly because I have to
do it at times determined by others. Writing is my sole source of income, but I
only sometimes do it during the day ...
OSC: I was pretty good as a part-time employee of the scenery shop at BYU,
building scenery for plays. I got fired, though, because I didn't always show up
for work. Other employers have mentioned this as a point of contention, too.
OSC: Everything I do seems perfectly ordinary and understandable to me. I'm
afraid you'll have to ask others in order to find out which things seem weird to
them.
OSC: My office is infested by the occasional spider, but I avoid naming them.
OSC: This week, the list is:
Far from the Madding Crowd
Nobody's Fool
Sixth Sense
All of Me
Grand Canyon